In fall 1914, as the Kaiser’s armies invaded towns in the western territories of the Imperial Russian Empire known as Russian Poland (now eastern Poland and southern Lithuania), the Russian government, for the first time, forcibly exiled thousands its own citizens in the region into interior Russia, declaring them a suspect group. The exiles consisted mainly of virtually the entire minority population of Russian Germans in Russian Poland. The ancestors of most had been Russian subjects for at least a century, and many of the exiles had served in the Imperial Russian Army themselves, some as career officers. The Council of Ministers in St. Petersburg, however, feared that this population held loyalties to the German lands and would collaborate with the German armies.

The Russian provincial military police were assigned the task of rounding up all “Germans”, confiscating their property, and putting them on overcrowded trains to Kazan and other interior Russian towns that were not equipped to handle the enormous influx of migrants from Russian Poland. This task caused the police much concern, because many individuals who spoke Polish with their families at home and considered themselves Polish had German surnames. Moreover, some individuals with Polish, Lithuanian, or Russian surnames had been baptized in German-language Lutheran churches. A rich trove of formerly secret police files on the resettlement of the Russian Germans, kept earlier at the Museum of the Ministry of Internal Affairs (MVD) in Moscow and now located in the National Historical Museum of Lithuania and the Pułtusk Historical Archive in Poland, contains a great deal of internal police correspondence on what criteria should be followed for identifying an individual as “German” for purposes of the resettlement of Russian Germans. Based on the police correspondence, witness statements in treason investigations, and a first-hand report in the archives by a Russian police officer trapped in the Kałwaria during the German occupation, this presentation covers the criterion for “Germanness” that was eventually issued by the Russian Council of Ministers, the self-identity of those who were officially identified as “German”, and the perceptions of their Polish, Lithuanian, Belarusian, Jewish, and Russian neighbors regarding their political loyalties. 

Cynthia Vakareliyska holds a Ph.D. in Slavic Languages and Literatures from Harvard University, and is a Professor of Linguistics at the University of Oregon, where she teaches Slavic and general linguistics. Her research specialization are historical Slavic linguistics and medieval Slavic manuscript studies. Her 2008 book The Curzon Gospel received the 2009 AATSEEL book prize for Slavic linguistics, the 2009 Bulgarian Studies Association book prize, and the 2010 Early Slavic Studies Distinguished Scholarship award. Her most recent book, Lithuanian Root List, is in press with Slavica Publishers. She is currently writing a book on the Russian Germans in Russian Poland, based on her study of archive documents in Lithuanian and Polish archives over the past 15 years.

Most studies of language and confessional minorities focus on the self-identity, singular, of members of a minority community. Some minority populations, however, have two or more concurrent language, cultural, and ethnic self-identities (although usually only one confessional self-identity). This talk examines the self-perceptions of an understudied minority population, the Lutheran Russian Germans living in the western part of the Russian Empire known as Congress Poland or “Russian Poland” (now eastern Poland and southern Lithuania) during the 19th and early 20th centuries, before they were forcibly resettled by the Russian government into interior Russia during World War One.

The Russian Germans, also known as “German Russians,” were Russian citizens, the descendants of German artisans who had migrated to Russia in the late 18th and early 19th centuries by invitation of Catherine the Great and Paul I. Those in Russian Poland lived mostly in integrated communities together with Poles, Lithuanians, Jews, Belarusians, and Russians. Most were trilingual in Polish, Russian, and Low German, with some knowing Lithuanian as well. Based on documents in Lithuanian and Polish archives and a private collection in the U.S., the talk focuses on the Lutheran Russian German populations in the adjoining provinces of Suwałczyzna and Łomża (now Suvalkija in Lithuania and Mazowsze in Poland, respectively) and their adoption of Polish, Lithuanian, and Russian cultural features, as reflected in their naming and signature practices, language choices, cuisine, and self-identity as a group during a period when the concept of ethnicity had not yet been developed in Russia.

Rough cut viewing about a half hour in length of a UK-student-created documentary film, followed by a panel discussion.  Viewing and discussion are open to the public, so bring a friend or two!

Come celebrate National Poetry Month during first annual Kentucky Poetry Month, sponsored by the University of Kentucky's MFA in Creative Writing!

2015 Kentucky Poetry Festival Events

April 24 - May 01

• Off the Ground Featuring Bianca Lynne Spriggs

  • Common Grounds on High Street

  • Friday April 24, 2015

  • 7:30pm

  • Affrilachian Poet and Cave Canem Fellow, Bianca Lynne Spriggs is a multidisciplinary artist who lives and works in Lexington, Kentucky. She is the author of Kaffir Lily (Wind Publications, 2010), How Swallowtails Become Dragons (Accents Publishing, 2011), and the forthcoming titles, Call Her By Her Name (Northwestern University Press, 2016), The Galaxy is a Dance Floor (Argos Books, 2016), and Circe's Lament: An Anthology of Wild Women (Accents Publishing, 2015). Her work may be found in numerous journals and anthologies. Open mic to follow!
    
     

• KFP College Showcase

  • James F. Hardymon Theater, inside the Davis Marksbury Building on the UK's campus, 329 Rose Street

  • Saturday April 25, 2015

  • 2:00pm

  • Creative writing college students from around Kentucky will read their poetry.

• A Reading by Louisvillian Poets, feat. Jeremy Clark, Adam Day, Lynnell Edwards, Michael Estes, and Martha Greenwald

  • James F. Hardymon Theater, inside the Davis Marksbury Building on the UK's campus, 329 Rose Street

  • Saturday April 25, 2015

  • 7:00pm

  • Louisville Poets will read their work.

• Verse in Type

  • Clark Art & Antique, 801 Winchester Rd, Lexington, KY 40505

  • Sunday April 26th

  • 3:00pm

  • Broadside display from the King Library Press.

• UK Libraries King Library Spring Seminar

  • Boone Center

  • Tuesday April 28th

  • 7:00pm

  • Dara Wier and Emily Pettit will lecture for the King Library as Keynote Speakers. King Library Press Broadside Contest Award winner will read.
    
     

• Waxing Gastronomic: Food Poetry Open Mic

  • Donut Days on Southland

  • Wednesday April 29

  • 4:00pm

• Dara Wier & Emily Pettit, Visiting Writers Series

  • UK Art Museum

  • Wednesday April 29th

  • 7:00pm

  • Dara Wier is the author of numerous collections of poetry, including You Good Thing (Wave Books, 2013); Selected Poems (2009); Remnants of Hannah (2006); Reverse Rapture (2005), and many others. She teaches workshops and form and theory seminars and directs the M.F.A. program for poets and writers at the University of Massachusetts Amherst.

  • Emily Pettit is the author of Goat in the Snow (Birds LLC), and two chapbooks How (Octopus Books) and What Happened to Limbo (Pilot Books). Her poems can be found in Skein, Thethe, Sixth Finch, Wolf in a Field, Le Petite Zine, Forklift Ohio, Glitterpony, Diagram, Octopus, H_ngM_n and elsewhere.  She has a MFA from the University of Iowa where she was a Maytag Fellow. She teaches writing and literature at Elms College, poetry workshops at Flying Object and is publisher and editor of jubilat (the literary magazine) and at factory hollow press.She is an editor for notnostrums (notnostrums.com) and Factory Hollow Press. More poems can be found online (Octopus, Sixth Finch, Strange Machine) and in print (Invisible Ear, and, soon, Skein and SUPERMACHINE.)

• Holler, featuring Normandi Ellis, Roger Bonair-Agard, AlexanderSings

  • Al’s Bar

  • Wednesday April, 29, 2015

  • 8:00 PM

  • Open mic starts at 8:00pm

  • We celebrate national poetry month with the return of Normandi Ellis, author of Words on Water, and the debut of two-time National Poetry Slam Champion, Roger Bonair-Agard, his latest Bury My Clothes, a long list finalist for the National Book Award. Providing music is Louisville based old time/folk artist AlexanderSings! Alejandro Udisco Kentucki). As usual open mic opens and closes the show. Bring some extra bones for the Holler bucket. Support your local arts. See y'all there!
    
     

• Write or Die Poetry Slam (Presented by Bianca Spriggs/Hosted by the Raven House)

  • Ravenhouse 3229 Raven Cir, Lexington, Kentucky

  • Thursday April 30, 2015

  • 8:30pm, doors open at 8:00pm

  • Eight poets from around the state and region will compete in a three-round elimination spoken word competition for a first prize of $500 (sponsored by The Morris Book Shop) and a second prize of $300 (Sponsored by UnderMain). The feature and celebrity judge for the night is award-winning poet, Roger Bonair-Agard. Opening musical performances by Designer Flow and J. Cannon. DJ Warren Peace will be on the one's and two's. And special bonus, Thomas Kirkland, veteran slam emcee, will be dusting off his mic for the occasion! There will be a full spread, BYOB. Admission is $20. Capacity is 80 attendees, so get there early for this fast-paced, one-of-a-kind event! You can purchase tix in advance here: http://theravenhouse.brownpapertickets.com. A portion of the proceeds will go towards each of the performers that night as well as the Carnegie Center for Literacy and Learning!

• Roger Bonair-Agard Interview

  • William T. Young Auditorium

  • Thursday April 30th, 2015

  • 5:30pm

  • Poet and spoken-word artist Roger Bonair-Agard was born in Trinidad and Tobago and moved to the United States in 1987. His collections of poetry include Tarnish and Masquerade (2006); Gully (2010); and Bury My Clothes (2013), which was a long-list finalist for a National Book Award. A Cave Canem fellow, Bonair-Agard performs his work and leads workshops internationally. He is the cofounder and artistic director of the louderARTS Project and teaches poetry at the Cook County Temporary Juvenile Detention Facility in Chicago.
    
     

• Ekphrastic Poetry Prize DEADLINE

• The Art Museum at the University of Kentucky and the University of Kentucky MFA Program in Creative Writing present The Kentucky Poetry Festival’s Ekphrastic Poetry Prize. First prize: $100. Deadline: May 01st. Entries must pertain to the permanent collection, or a current or past exhibit at The Art Museum at the University of Kentucky. Please indicate the name of the work and the artist’s name with entry. Contest is open to all poets, excluding current MFA poetry students at the University of Kentucky. Entrants may submit up to 3 poems as a single attached file with the format firstname_lastname2015 to: kpfpoetrycontest@gmail.com. For inquiries contact us at kpfpoetrycontest@gmail.com

• Poetry in the Greenhouses

  • Michler's Florist, Greenhouses & Garden Design, 417 E Maxwell St, Lexington, KY 40508

  • Friday, May 01

  • 5:30pm

  • Readings by Steven Alvarez, Dan Howell, Leatha Kendrick, George Ella Lyon, Maurice Manning, Christopher McCurry, Kimberly Miller, Gurney Norman, Katerina Stoykova-Klemer, Richard Taylor, and Jeff Worley
  • Open mic to follow.

[1] Samantha Dunn:

Impairments in Morphology Through the Lifespan.

An overview of how language, specifically morphology, develops and what it looks like when there is delay. Even when normal language development occurs, we are still at risk for language impairment due to brain damage. Often, a stroke can result in a language disorder known as aphasia. Aphasia results in a wide range of issues, but I will be focused on how morphology is affected following a brain injury that results in aphasia.



[2] Clare Harshey:

A Network Morphology Theory of Old Norse Nominal Inflection.

Network morphology is a framework which has proven useful and accurate for morphological analysis in a wide range of languages. Using computational notation, it models lexical information as a collection of interrelated nodes containing facts, drawing information from one another to generate the appropriate morphological forms. Using the KATR language to construct such a theory, Old Norse nouns can be modeled accurately and intuitively.

It seems perhaps unlikely that a language would maintain a single special alternative suffix, to be deployed just in case the word to be inflected has in its derivational history another particular kind of operation. Indeed such situations do arise, however, a notable case from Sanskrit being the gerund, also known as the indeclinable past participle, or the absolutive:

(1) General gerund formation:

√bhū- ‘be’: ger. bhūtvā ‘[after] having been’ or ‘[when X] had been’ (MacDonell [1927] 1986: 137)

√jñā- ‘know’: ger. jñātvā ‘[after] having known’ or ‘[when X] had known’

(Whitney [1885] 1945: 56)

√vac- ‘speak’: ger. uktvā ‘[after] having spoken’ or ‘[when X] had spoken’

(Gonda 1966: 78)

Specifically, the gerund form is created in the general case by suffixing -tvā to the so-called 'weak-grade' root. When the verb lexeme in question is the result of prefixing a(n etymological) preposition as a pre-verb (PV), by contrast, the formation of the gerund is systematically distinct, involving a potentially distinct stem and an unrelated -ya suffix instead:

(2) PV-prefixed gerund formation:

ger. nipatya ‘having fallen down’ (ni- ‘down, into’; compare √pat- ‘fall, fly’: ger. patitvā)

(Mayrhofer [1964] 1972: 103; Whitney [1885] 1945: 94)

ger. vimucya ‘having freed’ (vi- ‘apart’; compare √muc- ‘release’: ger. muktvā)

(Gonda 1966: 78; Whitney [1885] 1945: 122)

ger. pratyāgatya ‘having returned’ (prati- ‘reverse, back’; ā- ‘(un)to, at’; √gam- ‘go’: ger. gatvā) (Deshpande 2003: 122, 428; Whitney [1885] 1945: 34)

This choice among suffixes seems to depend on the presence or absence of a non-adjacent morphological boundary, and as such, the phenomenon's status between derivation and inflection, between regular and irregular, will inevitably force morphological theories into some potentially uncomfortable positions.

Of course, some frameworks are simply not up to the task, straining to minimize its theoretical significance, or playing fast and loose with fragmented stipulations that cover the facts, but miss the generalization(s). Rather than crowning one framework as uniquely suited to the descriptive task, however, the very process of rotating through the lenses of diverse morphological frameworks presents a clearer, and indeed more coherent picture of the Sanskrit gerund than any single approach can.